Showing posts with label Turin Brakes. Show all posts
Showing posts with label Turin Brakes. Show all posts

Thursday, 8 October 2015

Always something there to remind me...

I'm not someone who necessarily looks that deeply into how music is produced or even conceived, although I possibly should bearing in mind that I was studying to be a sound engineer many moons ago. That dream sadly never came to fruition, but being the inquisitive person that I am, I still have a fascination with all things music and am resigned to understanding it as best as I can. I am currently reading the book ‘How Music Works’ by the brilliant David Byrne and am looking forward to gaining some insight into this world via his prose. In the meantime though, my mind is still actively questioning. 


I was recently on a train journey to London and, as always, I was carrying my trusty notebook and pen so I could write down anything that came into my mind as a possible new article. Staring out of the window and seeing the familiar scenery approaching the outskirts of London, I remembered growing up there and had various other memories of days gone by. I then had an idea. So into my notebook I wrote the words ‘music and memory or association’. I also wrote some other bits and bobs around this and did a bit of googling. It was the start of a train of thought (literally) and the thought was this. Why does music link to memory and what does this mean?

We all have certain songs that are related to events in our lives. For example, when people get married they have a first dance and this song then becomes intrinsically important to their lives from then on. It will always be ‘our song’ because of that. You may remember that a specific track was playing the first time you saw ‘x’ across a crowded dance floor and suddenly realised that you wanted to spend the rest of your life with them. It may well be why ‘Saturday Night’ by Whigfield means so much to you, but who am I to judge?

Anyway, this thought also reminded me of a recent radio show that I had been listening to where the host, Claire, asked folks to get in touch and tell her which song related to various events in your life like your first crush, when you were a teenager or when you left home etc. I had a ponder and ended up joining in. This also got me reminiscing about when I was younger and the various reasons why my songs choices were important to me. Claire had asked for the song that represented your first crush and mine was ‘If I Can’t Change Your Mind’ by Sugar. The reason I picked this song is because it was on a mixtape that my first real crush made for me when I was about 19. It’s still a firm favourite with me and I have to say that when I listen to it now I am always reminded of him. It’s quite odd really as I haven’t seen him in person for nearly 20 years, but when I hear the jangly guitar of this track I can see his face as clear as day. And that’s what makes the link between music and association so very interesting.


Also in my notes was a line that said ‘Glenn T – cowboy films’. I'm sure this will mean absolutely nothing to you, so let me try to explain my thinking around this bizarre notation. I am a big fan of the band Squeeze and in particular Glenn Tilbrook. Glenn has released some solo albums and also recorded a tour video when he travelled around America in an RV. As I was thinking about memory related to music, I recalled Glenn telling a story on his tour video about how when he was a small child he used to like watching cowboy films. Not very interesting so far, but just bear with me. He said that his memories of the films were linked to the sounds he heard in them rather than the picture he’d seen on the screen. He would hear the sound of metal on metal and place this as a cowboy scraping a spoon across a metal plate while eating beans. He did not recall the colours or what was in the background picture, it was all about the sounds that were being made. I find this fascinating.

I read about ‘Music-related memory’ on Wikipedia and the opening paragraph says this:

Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop. The use of this term is problematic, however, since it implies input from a verbal system, whereas music is in principle nonverbal.

Interesting stuff, but not really what I was aiming for. Looking at savantism or child prodigies who can play 10 instruments at the age of 6 is a bit beyond me. I also read an article on some new psychology studies around the link between memory and music. Again, not quite what I wanted to delve into, but worth a read none the less. Check it out here.

I think what I am more intrigued about is the relationship between music and how it messes with your emotions. Why does hearing certain pieces of music make you happy or sad and why do we feel the need to attach certain feelings to it? I also wonder why I can remember the lyrics to songs I haven’t heard in years, but I have no idea what I did last week? It’s a strange thing that you can recall all the words to a random song like ‘Snooker Loopy’ by Chas and Dave and yet I can’t remember to pick up milk on the way home. It must perhaps be related to the part of your brain that holds what is basically useless information.


It could be that music is such an emotional tie because it’s more important to certain people. I would class everything music related as a hobby of mine so I am always focused on learning about it, be it a new artist, reading about it or a new way of obtaining songs. Perhaps if you don’t consider this to be an area of interest to you it wouldn't have such an impact. Although I'm pretty sure that going back to Claire and the song requests on her radio show, that we all have records that mean something to us for whatever reason. It could well be that the bands your grew up with when you first started to take an interest in music have stuck with you throughout your life. I know that I attach my adoration for my hero Neil Finn to the fact that I discovered the music of Crowded House when I was in my teens and at the age where I was looking for something to speak to me about my life. I found that with Neil and his band and he has been something of a constant companion to me ever since.

I used to travel by train a lot in my early twenties and back then I didn't have my beloved iPod with me as they hadn't been invented yet (yes I am that old). Instead, I used to take with me my personal CD player and one of those CD holders where you could just carry the discs in a zipped pouch. The effort of picking only a few discs to take along was torture, but I always seemed to have ‘Ether Song’ by Turin Brakes each and every time. When I listen to tracks from that album now, I can still sense those old train journeys from London to Liverpool and I remember how it made me feel. That album is my travelling friend and when the first track ‘Blue Hour’ opens with the drum machine, I associate it with the train pulling out of Euston station and heading up the railway tracks northwards. I haven’t made that particular journey for well over 10 years now, but I'm transported back to those days whenever I play that record.


I suppose it’s easy to say that this is just human nature or memory working in the usual way. The same thing happens with more or less everything around us such as food we've eaten at specific places or certain books we've read. What makes the link with music so interesting to me though is the feelings that it brings with it. I mean, I can probably recall the first time I tried Chinese food, but it doesn't really bring out any emotion in me. It was no doubt very nice and I still like it now, but does it make my happy thinking about it? Not really, no. When I hear that song by Sugar playing though, now there’s a completely different story. I find myself smiling and thinking about the person that made me a tape a very long time ago. And that’s the power of music. The images it conjures up and the feelings it brings with it are something wonderful and I really do hope the things I am listening to now will continue to have this effect on me for a very long time to come.

Sunday, 21 December 2014

It's the end of 2014 as we know it, but what did I find...

A few people I follow on Twitter have written end of year blogs about the music and other such things that have inspired them during 2014. So, as someone never wanting to miss out on an opportunity to ramble, I decided to jump on that bandwagon and do the very same thing. This may not be a in-depth review of the things I have been listening to, but I hope it will read as some of the music that has captured my attention and soul this year.

Someone recently asked me what was my album of 2014 and I have to admit this did leave me pondering a bit. As much as I love new music and am always open to suggestions on what to listen to, for me this year has been mainly about rediscovery. Or being a bit late to the party I guess. I have been revisiting my youth and catching up with some albums that I unfortunately missed at the time. This post should probably be called 'Better Late Than Never Dear'...


Anyway, so what has inspired me this year? I guess I should start with new albums of 2014 that I have been listening to. Firstly, there is 'Caustic Love' by Paolo Nutini. I liked Paolo when he appeared with 'These Streets' back in 2006 and some tracks on that album are still great to listen to now. I kind of left him for a bit, but I was watching an episode of 'Later' which he happened to be on and I really enjoyed listening to him perform some songs from the new album. And it is a great album. Possibly his best work to date and you can tell that he has matured as a performer and songwriter. The wonderful 'Iron Sky' stands out for me and hits all the right buttons as a modern soul / R&B record.


Those of you who have read my previous posts will know that my all time musical hero is Neil Finn. Well, Neil released his third solo album earlier this year entitled 'Dizzy Heights'. I have to admit that it did take me a while to get into this album as it's a sidestep from what he has produced in the past. But this is something I do love about Neil. He is constantly looking for new ideas and in his own words he says "I am working hard to get better all the time". I have grown to love this album over time and in particular the title track and the songs 'Flying in the Face of Love' and 'Better Than TV'.

Neil has received a bit of moaning online about this album, but at the end of the day I think as long as he is doing what he loves and making the music he wants to make then the fans will follow him and appreciate what he does. I was lucky enough to see him live in April and it was a wonderful show and he completely held the crowd in awe as he usually does. He is such a talented performer and I have the utmost respect for what he does. He always has been and always will be my hero,

Beautiful backdrop from Neil's live show
Another of the usual suspects in many of my blog posts is Mark Morriss. Yes, him out of the Bluetones. He released his second solo album this year 'A Flash of Darkness'. It was originally funded through Pledge Music, but it then got a full release through Acid Jazz this year. This album is brilliantly written and performed and shows how Mark has grown musically since his first album 'Memory Muscle' in 2008. There's not a bad track on this album and the songwriting and thoughtful lyrics are a wonderful treat. When I first listened to this album all the way though I sat back and said to myself "Wow, what the fuck have I just listened to?" and then I put it back on again. True story.

There are a couple of cover versions on the album (Mark does love a cover) and I have to say this version of 'Nightcall' in my opinion is better than the original. Just saying. My favourite track (and possibly my all time favourite Mark song) is 'Life Without F(r)iction'. A gorgeous song which features the equally gorgeous guitar of the equally gorgeous Adam Devlin (yep, the little one off the Bluetones! His words, not mine!). The video for a live version of this song has been my pinned tweet on Twitter now for a long time and I don't intend to take it down any time soon. I think overall I can safely say that this album is my number one for 2014 and I can't recommend it enough.

My album of 2014
Now onto my rediscovery. I missed the release of a couple of albums last year, but have now caught up. Firstly, one of my long time favourite bands, the wonderful Turin Brakes released their sixth album 'We Were Here' towards the end of 2013. It came to my attention earlier this year when the second single 'Guess You Heard' was released. I love this album very much and that track in particular as it's beautifully written and performed as is the whole album. It reignited my love for this band and I went back to the previous albums to reaffirm my connection with them. The acoustic style was what brought me to them in the first place and their particular 'sound' is something that I truly love. I am eagerly looking forward to a new album being released hopefully next year and I really do hope there will be a tour to accompany it.


Now, not only do I love the band in it's entirety, I also love lead singer Olly Knights as a solo artist. He released his first album in 2012 entitled 'If Not Now When' and I have the pleasure of owning it on CD and vinyl. It was lovingly put together in his own home using a unique and personal recording style. His journey to make this album was one of inspiration and I have to say I am totally and utterly blown away by it. I have immersed myself in it so much it plays on pretty much a constant loop on my beloved iPod every day. I often tweet Olly and he is good enough to reply to my ramblings about music and other such nonsense and I consider myself very lucky to be able to do this. I was on a train recently with my headphones in listening to the opening track on the album 'Ripcord'. In the quiet of the carriage I could fully lose myself in the track and at 3.38 into the song the most exquisite change happened and my heart completely melted. So of course I had to tell Olly this. I mean, why wouldn't you?


This album is also my favourite discovery of this year, but in the category of 'better late than never'. I have previously posted the documentary that accompanied the making of this album and I would suggest you have a look at it so you can fully appreciate the background to this piece of work. My love of simple, stripped back acoustics is played out here and it has actually made me want to pick up my guitar again and get back to playing. Sometimes less is more, which is what the man himself told me.

I've also been listening to my back catalogue of albums by the Bluetones lately too. I won't go overboard as by now you should be aware that they are one of my most beloved bands and basically they represent my youth. Their final album 'A New Athens' which was released in 2010 has been on my playlist of late and features some really great, under rated songs. It deserves a wider audience and I hope that perhaps it's just a slowburner and that people will one day discover it and realise what they have been missing out on. I can also give a massive thumbs up to the 2006 self titled album 'The Bluetones'. I have no idea why this album did not do better on release as it's possibly the album of theirs that I like most of all.



So, here is a little round up then:

My number 1 album of 2014 - A Flash of Darkness by Mark Morriss
My number 1 better late than never album of 2014 - If Not Now When by Olly Knights

A couple of other things to mention:

Gigs attended in 2014 - 8 so far
New artist I was introduced to this year - Frank Turner
Upcoming artist to watch in 2015 - Leon Bridges
Band to watch in 2015 (cos basically they're gonna tear it up!) - Concerned Citizens
Other albums of note - Lost in the Dream - The War on Drugs / Interlude - Jamie Cullum
Who you should follow on Twitter if you aren't already - Adam Devlin

So there you go. A real mixed bag of stuff which I hope may be of interest to you. It has been a bit of a strange year for me, but I have been to a lot more gigs than usual thanks to my 'Year of Yes' decision and I hope to continue this into next year. I already have 2 gigs lined up for the New Year with the promise of a lot more. There are also some new albums to look forward to including a Mark Morriss covers album and I hope a new Turin Brakes album. I have a feeling 2015 is going to be a good one.


Tuesday, 4 November 2014

Band On The Run...

So, I wrote a post a while ago about the concept of an album changing your life. It was an interesting piece to consider so I have decided to take this a little bit further and talk about the bands that have had an influence on my musical experiences over the years. We all have a favourite band (or group if you like), but why are they your favourites? Have they changed your life completely or do you just buy their albums because you feel obliged to as a fan even though sometimes you may think they may have sold out? Let's ponder those thoughts a little bit.

Bands, bands, bands
I have mentioned my all time favourite band numerous times, but for those of you who don't know it is and always will be Crowded House. As a band they have bubbled under the surface since they formed nearly 30 years ago and it does seem to me that folks are embarrassed to admit that they dig their music. Neil Finn said recently "I have written some good songs. Don't ever apologise to your hip friends for liking them. They'll be singing them in a karaoke bar someday". I would never apologise for the fact Neil has written some down right amazing songs or for the fact that he is my hero. When someone has been in the music business as long as he has (don't forget he joined Split Enz in the late 70s) I think he deserves the utmost respect for his songwriting ability and longevity of his career. The band have been through some changes over the years and we've seen different line ups, but they will always remain in my heart as my all time number 1. Why? Well, because for starters Neil is a true master of his art. I watched him in awe on his solo tour earlier this year commanding the stage (and a rather large stage it was too) while he sat and played the piano completely alone. Not many artists can hold the audience completely spellbound in that way, but Neil does it with ease. One of the many reasons why I will never tire of the music he produces with or without the band.

I have to admit, I now struggle to name a second favourite band as honestly, I like so many others I don't think there is a clear winner. My taste has changed over the years and I'll get into a new band (like recently Alter Bridge) and then immerse myself in their back catalogue (if they have one) and get to grips with their style.


For many years I would always name Barenaked Ladies as my second choice, but now I'm not so sure. They are definitely up there, but I have to admit that after Steven Page left the band my interest faded slightly. His was the voice I tuned into and as much as I love the output from the rest of the band, it was his voice that drew me to them in the first place. Without him it just hasn't been the same. Don't get me wrong, I've still been to see them live without him and thoroughly enjoyed it as they are great performers, but it was just missing that something. His solo work is not too bad, but didn't really set the world on fire, although his album does have some really great tracks on it and I enjoy listening to it when it pops up on my iPod.

Fall Out Boy are another band that feature heavily in my playlists. I got into them when 'Folie A Deux' was released and once again it was the voice of Patrick Stump that hooked me in for the long haul. I was a background fan for many years, liked their stuff, but didn't go overboard with them really. This was until the made their comeback from hiatus and released 'Save Rock and Roll' last year. It was a well received album and they have been on the up ever since winning awards and gaining a whole new fanbase in the process. Interestingly though, just last week I was sent an interview that DJ Annie Mac gave where she informed the public that she couldn't stand FOB and that she actually found them 'offensive'. No idea why she feels this way, and although everyone is of course entitled to their own opinion, to say they are offensive is a bit much. They don't have rude lyrics, swear or degrade people so it's a bit much to state such a fact if you ask me. Anyway, during their enforced break Patrick released a solo album and EP which are both very good. Unfortunately the public didn't seem to agree and the album wasn't met with much success. I've never really understood why it didn't do better than it did as it's actually a really great piece of work. He did absolutely everything himself and you can tell that it's been lovingly put together. I was lucky enough to see Fall Out Boy when they played the Download festival this year and they do give a great show. Let's hope there's more to come from them next year.

Behold, the greatness that is Fall Out Boy
The last post I wrote on this blog was about the return to my youth in the 90s and my continuing love affair with the Bluetones. They therefore have to feature on this list as a band that mean something important to my life. They are nothing if not a quandary for me though. Massive success when they burst into the British charts in the mid 90s, followed by some lows, then success again and finally the sad conclusion that it was all over. I still find this hard to take and feel that perhaps the public weren't paying attention hard enough cos you know what? They were bloody awesome! Lumped in with the whole Britpop scene (which they weren't at all) they hit us with the jangly guitar of the wonderful Adam Devlin and lyrics which were something to behold. I followed them through their career, but was never fortunate enough to see them play live which is something I will always regret bitterly. I have, however been lucky enough to see lead singer and all round top bloke Mark Morriss play his solo material live (and Adam was with him so it was 2 for the price of 1!!) and I am doing so again very soon. Both Mark and Adam are kind enough to put up with my stupid ramblings on Twitter and I feel very privileged to be able to communicate with them both especially as I have been a fan of theirs for nearly 20 years and will continue to be for the foreseeable future (or until they get fed up of me pestering them)...

What platform for the last train to Clarksville guys?
So, who else? Other bands I've followed from the start include Counting Crows, The Gin Blossoms, Hootie and the Blowfish, Ben Folds Five, the list goes on. Lots of American acoustic style rock bands seemed to be my genre of choice in the 90s/00s. From a British point of view I love bands such as Squeeze, Genesis, The Divine Comedy, Teenage Fanclub, The Smiths, Del Amitri and the wonderful Turin Brakes.

It was being a fan of Turin Brakes which earned me some cool points a few years back as a ex mate of mine was trying to appear 'down with the kids' and asked me to name some good music so she could impress her workmates. I reeled off a load of stuff including the aforementioned Brakes and she told me she was greeted with "that's impressive actually, maybe she does know a thing or two". Yes, I certainly do thank you very much indeed.

I'm actually listening to a lot of Turin Brakes at the moment to be honest as their latest album is fab (We Were Here - check it out) and lead singer Olly Knights has a solo album called 'If Not Now When' which he lovingly put together in his own home using a very unique and personal recording style. I watched a documentary on the production of this album and it was a moving and inspirational journey for him and made me consider that perhaps not all music is constructed by faceless producers for the masses. This was a labour of love for him and a legacy that he could be proud of. It made me hopeful for the future of the industry and confirmed to me that there are still musicians out there who care about what they do on a higher level and these are the people we should be following with interest. Watch the documentary below.


I guess there are also the 'classic' bands that most people like (or say they like cos if you don't you appear to be an idiot) like the Beatles, Queen, the Rolling Stones, Led Zepplin etc. I love all of these by the way. We also have to give consideration to other such bands as Guns 'n Roses, Oasis, and even Coldplay and U2. Yes, bloody Coldplay and egomaniacal carnival ride that is U2. People seem to buy their albums and get them to the top of the charts, but whenever I speak to anyone, no-one actually seems to like them! So who is buying their bloody music then?? It can only be because people feel they 'should'. I never buy anything just for the kudos of it. It has to be something I am interested in and enjoy listening to otherwise what's the point? My CD collection is for me and no-one else and I don't feel the need to impress someone with my choices so they'll think that I'm cool. I mean, come on. Everybody already knows that I am...

Anyway, there are are tons and tons of other bands that could be mentioned in this post, but it would then go on forever and I have other things to do. I'm sure you all have your favoutites and that there are reasons why you particularly like them so think about it, chat about it with your friends and keep the conversation going. Or tweet me about it if you want. I'm always up for the debate.